nostalgic, soulful and, of course, boogie-woogie. thats how belgian dj producer boogie belgique (aka oswald cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producers forte. this is pleasingly evident on volta, the latest boogie belgique album for the cold busted label. jungle law gives a glimpse into boogie belgiques sonic palette. tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. album opener go slow shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. its a beautiful concoction, and boogie belgique delivers on many aspects of this style throughout his eleven track album. volta is a satisfying trip in an aural time machine.

recorded 9 tracks, sustaining the variable and rhythm of inorganic electronic sound in search for the elemental parts in techno music. the album jacket artwork is designed by the designers republic.

wareika steps up for the amphias 12th vinyl chapter. the german trio walks off the beaten techno trail, applying just enough pressure on the bassline pedal to envelope your attention on the sinusoidal theme from break new sol, revealing at the end a rewarding guitar solo, hidden all this time under the crisp percussions. on a train again completes side a, with its industrial ambient modulations steadily stabbed by the derailed cadence.
sit reinterprets wareika on side b: a more dancefloor oriented take, with just a few breaks from the devilish rhythm, enough to give the crowd some time to breathe into the tracks odd atmosphere. wareika s playful harmony makes a great addition to amphias musical path.

ocean, stars and responsibility...
antlers mulm has been sending his melancholy songs and soundscapes into the world for many years now� some years ago one song was featured on the �radio resistencia� compilation (et001) and finally there is this 7 inch on enfant terrible� the two tracks are coming from the last album �touring the moon bog� which was released on cd and tape earlier this year� both tunes featured on vinyl here are the most up-tempo and rhythm driven ones from that album� recommended to fans of solitude fx but also those who are into new order� it is all melancholy, dreamy and catchy� what else could you wish for?
the artwork was designed by saskia freeke and printed on a risograph machine.

nice price deal !!! with releases on 7th sign, persistencebit and self defence to his credit, belgian dj/producer franco cangelli returns to his own mowar label for this killer four-track ep. inspired by classic techno and contemporary machinations in equal measure, cangellis palette is varied but sophisticated. >pressure< kick starts the ep in dubby mode, but the fat beats and spooky riffs are soon joined by a warm, sublime chord sequence. >frantic<, as the title suggests, picks up the pace, with a slamming, slightly off-rhythm underpinning wired analogue bleeps. thanks to cangellis smooth production touch, it manages to sound both timeless and modern. on the other hand, >fringe< and >deviate< make no secret about their influences. the latter deploys raw, crunchy beats and a shuffling groove as the basis for a sensuous chord sequence, while >fringe< is even more reverent. gently filtered bleeps and tones cascade over tight claps and an insistent, jerky rhythm that recalls stasis and derrick may. dont miss out on this future-retro gem

blitz the ambassador more organic rap meets west african sounds from ghana. the visionary sound of blitz the ambassador has been years in the making, with each album crafted to reflect a sonic and visual narrative unique to blitz s personal experience. his fourth studio album diasporadical exemplifies this trajectory. blitz spent a great deal of time traveling between accra, salvador bahia and brooklyn experiencing the similarities between the african diaspora. the album title diasporadical was born out of this experience blitz explains. the radical notion that no matter how fragmented the african diaspora is, the influence of rhythm and spirituality remains largely the same.

groove line records follows up the change remix 12� from the summer with the latest instalment of our officially licensed disco remix 12�s. next up are two exceptional disco remixes of the salsoul orchestra classics, �tale of three cities� and �tangerine�, by mike maurro, whose recent the mike maurro peak hour remixes box set has cemented the new york producer�s reputation as one of the most respected disco remixers on the scene right now. side a features �tale of three cities� (mike maurro disco remix), one of the salsoul orchestra�s funkiest cuts, written by bass player ron baker for their debut lp. maurro extends the arrangement to nine minutes, concentrating on the driving beat and rhythm section for the intro, subtly adding the guitar and keyboard parts before the first orchestral bridge at 1m36. stripping back much of the orchestral elements throughout the mix he gives more space to the deftly executed solo guitar and keyboard passages and gives special attention to vincent montana�s vibes, taking the dancer on a beautiful journey through the salsoul sound concluding with an instrumental, ethereal outro. side aa features �tangerine� (mike maurro disco remix), vincent montana�s skillfully rearranged version of the lilting jimmy dorsey pop standard which was the group�s biggest pop hit, also from their debut lp.

the vinyl only label comes from ant plate (of rhythm plate notoriety), and following some turns from ant himself as yse saint laur ant the label branches out to welcome brand new entity (or quite possibly alias) bubbadog to the playing field. the quality of the music eschews any notions of who did what, as the tumbling latin tones of -alma- meet with the laid-back, handclap-heavy bliss of -threshold-. -boodoo- on the flip deals in a more peppy kind of offbeat house, and then -talkin talkin - and -harry- drop down into a classic bit of funk breaks business.

limited repress due to high demand on requests. eating records was born in the brussels underground scene, inspired by the idea of synthesizing two different horizons to get a beautiful concept. in the beginning it was simply the need to go back to roots and try to connect with the present and future, but eventually it ended up with a modern groovy label. the first release of the label was not that easy to find. the eclectic worlds of the two members did not really help them. but that was until they found jr from dallas - a talented dj producer from lille, owner of gourmand music recording - maybe food is the key... who knows ? jr has always been a forward-moving artist, but his music cannot - and should not - be mapped linearly. after releasing on labels as farris wheel recordings and greenhouse recordings, he had nowhere to go but backward for his new ep on eating records to its 90 old school beats and hypnotizing basses. phonical deep is gorgeous and evocative all the same. technival is stylish enough, and it is as restlessly creative as you would expect. it is followed by the hypnotic and beautiful remix of jay bliss of phonical deep - the eps final track. the fact is, jay bliss has managed to create something so refreshingly unique that trying to categorize and label his remix is rather dubious. he transformed the original melodic part to a blissful pad embellished with a repetitive rhythm spiced with tiny subtle details. it is easier to see this remix as the backbone of electronic music - simple and repetitive but never boring.

new years deal - , fresh from guesting on the debut powell lp sport (xl recordings), and having released on labels such as the tapeworm, entracte, and halcyon veil, dale cornish now presents clap - four rhythmic experiments that explore the mesmeric tones of the digital clap using the ever-popular tr909 clap pre-set. sharing similarities in intention with n.m.os as strict as possible approach, pieces subtly evolve and mutate around the clap to generate motion, tension and action. oolovka takes an unashamedly joyous look at the clap, where melodic repetition whirls and whirls until it takes on a form of mesmerising minimalism � perhaps taking its cues from a modern take on steve reichs �music for 18 musicians� as a backdrop for the clap to playfully roll over and mutate into a sound which is both refreshingly light hearted yet steeped in rhythmic experimentation. cxema takes us a into a tenser, more claustrophobic space where a heads down pulse keeps the body locked until the fog is occasionally broken and the tension momentarily cleared via delayed claps and familiar sonar tones. this vibe continues into isolate with cornish upping the anxiety by using the clap as a foreboding menace. coming across like an inspired soundtrack to a military performance piece the concern appears to revolve around strict precision and strict movement and how the clap can be used to enforce and heighten this functional display. before encore winds things down by stripping things back to the bare minimum for movement � a single effected clap gradually layers and layers itself to create pleasingly odd high tension atmospherics solely through a meticulous process of delicate rhythm and repetition.

every so often a piece of music is created that not only speaks to your soul with its lyrics but also moves your body with its rhythm.... louie vega starring anane vega heaven knows with remixes by josh milan and louie is exactly that piece of music. vega continues to apply the cardinal elements necessary for truly timeless music that offers something for everyone rightfully earning him the title as one of the kings of house music.

that time when the sun crosses the plane of the earth�s equator, making night and day of approximately equal length all over the earth. equinox is p.e.a.r.l. his debut on float records. as known for his aesthetic grooves we are proud to add this berlin based spanish producer to our catalogue. this three track ep does exactly what the title implies.
equinox i hits it right in the centre, with vibes perfect for either sunset or sunrise. the hypnotic sequence will cut through your brain and makes sure you don�t even know if it�s night or day. equinox ii represents the night. again an incredible solid sequence, but with a raw edge assisted by a haunting soundscape doing justice to the dark. no one is safe for this killer. when day time arrives you will be introduced to equinox iii. this seems to be the most friendly track, but don�t let it fool you. a smart percussive rhythm does the magic and creates the hypnotic experience you can expect from p.e.a.r.l.

"for almost two decades dave paton has been dredging the recesses of his mind for electronic inspiration. the findings have been fantastical, freakish and formidable; all ways of describing his latest outing. -the great pretender- straddles electro and techno, staggers between ambient and idm and swaggers to its own bawdy beat. rasping rhythm patterns are rinsed in ragged roars, charcoal chords are conjured before being crunched as the wee djs has his fun across five tracks."

ikebe shakedowns debut release is as heavy as an angry herd of elephants! recorded at dunham studios in brooklyn with the help of members of the budos band, these tracks are rough and tough to be sure and offer a variety of different sounds from the band. ikebe seamlessly blends the raw emotion and passion of 70s african funk with the danceable horns and rhythms of american soul music! bio: ikebe shakedown is brooklyn-based, eight-piece instrumental juggernaut that incorporates the sounds of 60s and 70s african funk and american soul music for a totally fresh sound. featuring dynamic horns backed by a hard-hitting rhythm section, ikebe shakedown (pronounced ee-kay-bay) will get you out of your seat and onto the dance floor! with obvious influences from legendary groups such as the j.b.s and the meters, ikebe shakedown is also looking to make their own mark on the brooklyn scene in the vein of more contemporary groups like the budos band, antibalas, and the menahan street band.

the 4th solo album from peter gabriel, originally released in 1982 - now back on 180 gram vinyl, half-speed remastered and with download code included.

james dexter has been incredibly prolific over the last few years, with numerous taste-making labels show-casing his ear for refined, dynamic house music. with his first release on the poker flat wax series, the young brit drops three new mission statements from the underground, each unified by a slick production sensibility and irresistible feel for groove. voices is a deep bomb - a shuffling, kinetic rhythm with oceans of space for subtle melodic elements and textures. spread out over eight and a half minutes, this is one to get lost to. point blank�s deep pads and detuned kick drum reference detroits classic house sound, the raw drums and vocal snippets adding a truly basement vibe. area 51 is another atmospheric late night jam, with a bumping rhythm track and subtle pad washes - stripped down and weaponised for the serious dancers.

driven by the common 80 s diy-attitude, the 4th istheway release happens to be a cooperation for an absolute one-side vinyl, shinoby vs hypnobeat (james dean brown + helena hauff). the one-track (9:19min) is rooted in the concept of a -neo-tribal� approach, compressing electronics into an emotional, hypnotic and rhythmic core. the energy and the emotional impact of polyrhythms and the track turned out to be centered around the inimitable sound of the roland tr-808 plus a wide range of analogues gear including up to eight synchronized rhythm machines. vinyl only!

nice price deal !!! minimal and deep-house rhythm with dreamy and constant >nu-trance< melody synth. weird riffs then switched by a dubby and kind of >detroit< styled pattern. the whole track is packed with a profound atmospheric idea and odd effects popping up

hot on the heels of house crime vol.1 - were back,australians mall grab, steven b.c pair up with usa s jeremy castillo, vin sol & lawrence lee for 4 tracks of ghetto-tech-houz madness!

longtime favourite mutt returns to fokuz recordings with the sinnerman ep featuring tedder. on the a side we find right & wrong, a dub infused roller with classic dubby vocal cuts and fx. on the flip the ep�s title track brings forward a classic two step rhythm which underlines an iconic sample.

limited 10 x 12inch box set. red vinyl. devilish red is the perfect colour for the royal last chapter of the the sound of belgium compilation series.

blaring and unnerving, yyyy s intention of mortal gets revisited with a remix package featuring lucy, varg, ascion and yyyy themselves, resulting in a barrage of arpeggiated behaviour and regimented soundscapes. a force pushing forward creativity with on-point refinement, lucy immediately veers in with his visceral power of sound. an avalanche of intricate and experimental arrangement soon meets a series of astute percussion and typical foreboding energy, retaining a certain texture-over-beat throughout. yyyy s depth of music imagination & influence is heard in this highly charged, awestricken ensemble for their rework of intention of mortal . unfolding a mixture of fear and complication, this track keeps you thinking as well as moving. an almost endless supply of plucked synth rhythm keeps the chaos taut and throughout. ascion s remix of stone relief of gods faces credits the release with clean kicks, industrial clanks and atmospheric keys. this no-nonsense approach to production is not to be underestimated, a dream-state sequence of induced electronic abstraction. the first and most immediate observation of b2 is vargs take on reach for forgiveness - a menacing, pin-sharp account of the visceral power of techno, dialling in to both tense and euphoric. the ambiguity of each track lends itself to its success, meticulous in detail and curated with passion. a release that divulges the mysterious sonic world and deviates from the expected.

kepler. makes the second contribution to silencio s catalog with �planetary systems i�. with refined ethereal elements rendered from what is surely an eerie origin, �186f�, is truly engaging. this track is fueled with a seductive synth heralded by haunting vocals that effectively whisper over its steady, punchy bass line. meandering in the background is the type of idiophone sound one would associate with a hand-percussion triangle instrument. its particular effect provides a complex, rolling rhythm that vibrates in a beautiful tone until its objective has been achieved. on the b-side �452b� is a great track to open up a set with, gentle yet still energetic in how it introduces itself to the audience. it begins with a series of echoing sounds that rise and dive throughout, seemingly reflected off the surface of one�s subconscious, in a satisfying manner. accompanied by a deep pulsating bass line that accents its driving drums, this track will set the tone time and time again. imagine the dawning of a realization formed from an inspiring event in nature. the second track, �luzon�, features a laid back tropical tempo and samples that feel transported from a lush, rhythmic rainforest. kepler expresses this vision within the confines of a catchy groove, utilizing subtle bird sounds and rattles that resonate over layers of atmospheric synth. this is emotional music meant to move a crowd or manufacture a sincere moment of clarity.

alborosie the on a mission reggae warrior licks back the dread at the controls rod taylor classic from 1978 his majesty (produced by mikey dread) to stunning effect. the latest production of mr. alberto d ascola aka puppa albo aka alborosie showcases established hit-makers gentleman (in combination with clay), mr. vegas, alborosie, etana, christopher martin, sizzla kalonji with all new exclusive tunes, alongside young lions like dann i, yung j.r., skygrass, sandy smith and martei corley, with all great voices and excellent performances. eleven superb tunes plus alborosies instrumental riddim version makes this a standout longplay release! run the rhythm!

ltd 20216 repress ! italian producers steve murphy and dj octopus are regular collaborators, and earlier this year released an excellent split ep on chiwax. here, they return to the much adored german imprint with a proper collaborative four-tracker. theres much to admire, from the rush-inducing bounce of opener track 1 and mr lee-ish cheekiness of track 2 (check the 89 style riff, snappy drum machine groove and cut-up vocal samples), to the impeccable depth and sun-drenched warmth of the decidedly wide-eyed track 3. arguably best of all, though, is track 4, which reimagines sir james 1990 strictly rhythm classic special as an immersive chicago deep house jam.

we welcome miles atmospheric onto the common dreams roster with two very special tracks: heal and plight. he is founder of the label atmospheric existence and is previously known as miles sagnia. you can also find him on aesthetic audio, ornate, inner shift music, and applied rhythm technology. his music keeps the raw edge of early uk electronic music, merged with his own sound that is often described as futuristic, lush and deep.
heal is the harder and darker of the two. starting with a steady, monotone baseline and solid kick, we are soon immersed into a mind elevating arpeggiation and floating chords that take it to another level.
plight is the more emotional of the two. it�s a mixture of raw frustration with a splash of passion and love. lush pads rain down from above, while we again feel that deep, dark undertone pushing through.

manchester native alex coulton has nurtured a reputation for creating sub-heavy rollers thanks to 12�s for the likes of black acre, livity sound and bloc. with gamma ray burst, the next in his series of releases on london low-end specialists tempa, coulton consolidates his sound to deliver some of the most sparse, rhythmic work of his career. with the record�s title track, coulton weaves from hard-hitting kicks, through to dizzying tribal polyrhythms the whole time maintaining a minimal, space driven atmosphere that remains omnipresent throughout the track�s most intense moments. �ground zero� revels in its spaciousness, allowing reverb to flood into the negative space between flashes of heavyweight techno percussion and saturated ripples of synth while the pulsating kicks that underpin �alpha decay� are punctuated with bleak, discordant bells, rhythmic bass hits and hypnotic filtered percussion. showing his diverse abilities, �phase two� is an exercise in measured restraint, as a cacophony of clicks and hisses come together to disorientate before forming a driving rhythm section before coulton maximises his expansive elements on the fog-tinged �ascent�. closing with the steady flowing, brighter-hued melodic work of �distant resonance�, alex coulton has created a masterful collection of experimental tech-focused electronica that bewilders, intrigues and will draw the listener in with each play.

dark entries returns to the new jersey basement studio of smersh to unearth a 4-track selection from the

commonly found steering his own nabuco label, noha slides over to constant black (sub label of constant sound) to round out a very productive 2016 with another round of on-point deep house cuts sprinkled with immersive techy leanings. -hamal- may have a stout rhythm section at its core, but the layers of synths and processing on top all speak to a tripped out dubby mindstate, while -palette- only reaches further out into wistful 4/4 territory. there s still a crucial clubby mentality powering this ep though, and the reduced hypnotism of -annabanana- taps into this perfectly before the live drum workout -discovery-. vinyl only release

the spanish duo of javier carballo and carlos sanchez have been making serious waves with their brand of deep and trippy underground house. for their debut collaborative decay ep there are 3 killer originals and a bonus groove heavy remix from the hotly tipped rhythm&soul.

hard ton, italy s extravagant duo of all things house music are back on luv shack records, unleashing six steaming hot tracks on the -queer nation ep- - a precursor to the first full hard ton album that is due for 2017. -queer nation- has singer max swapping his falsetto with a dark mangled voice, reciting names of queer icons over a dry acid house track that rejoices in repetition, and rightly so. classic music head honcho luke solomon s remix of -queer nation- builds up an intense 707 drum pattern, underlining rhythm guitars and max s voice, ending in a bold acid climax. italian newcomers younger than me also take on -queer nation-, marrying an early 80 s wave touch with a classic house approach.

after the previous collaborations with blawan and lucretio & marieu (aka the analogue cops), mannella is back with his first solo work -nebula viator-. there�s no definitive recipe for his individual productions, but you can usually expect varying amounts of evolving pads, nostalgic rhythm and structured drums change that give to his productions a rich hot surge. in this four track ep mannella is going back to his roots and main influences, showing us how essential is for him shaping them into his latest feeling: swaggering techno tracks powered by sleek house chords. nebula viator is a 24minutes ep crammed with slamming and chubby grooves set against a sprawling astral substrate..

die �environment�-serie der kult-elektroniker future sound of london basiert auf den gleichnamigen �lost� alben aus 1993, die erst 2008 komplettiert und veröffentlicht wurden. in der folge entstanden weitere arbeiten in anlehnung an die früh-1990�er electronica der fsol, die jetzt nach und nach erscheinen. der sechste teil erstreckt sich über zwei separate alben und umfasst 46 unveröffentlichte tracks auf 2 cds. die lps enthalten 17 bzw. 18 tracks, wobei der track �silent around them� auf lp vol. 6.5 vinyl-exklusiv erscheint.

pedro abrantes and valdemar pereira�s intense and cold approach in the next release of e.f.a.e. would fit perfectly as the soundtrack to david cronenberg�s film crash (1997), guiding the listener through a world of perversion and obsession. a raw experience, usually of violence, where human nature is expressed through old rhythm boxes and cheap guitar pedals, sounding dirty, fuzzy, with an healthy disregard for rules of fidelity or even functionality. gam / coletivo vandalismo emerges like a sonic terrorist cell, out to implode traditional notions of dance music infusing a sense of dread and menace.

repress !! ultra heavy afro-beat rooted house techno compatible monster tune with additional percussion by burnt friedman, taken from crammed discs >tradi-mods vs rockers: alternative takes on congotronics< album - highly recommended!

american experimental musican shane english continues in a long tradition of outsider electronics as hes been humbly prolific in his output though the years involving himself in numerous recording projects.collaborating with jonah lange in their group corporate park as well as an ongoing collab with beau wanzer (seeing a release last year under the cp/bw name), english now commits his second full length solo offering to vinyl in the form of the general dimensions lp. sparse machine driven electronics dominate the recording providing a back drop for the occasional pulsating rhythm, metallic clank or floating obscured vocal. while it is a dark and sparse affair there is a quiet downtrodden beauty throughout giving the recording a sense of uncertain serenity in an almost shoegazey way. highly recommended for those into early electronics.

its been a while since something new from dave ellesmere surfaced, but the multifaceted artist has been tasked by the ever on-point brothers vibe to lay down a few serious slabs of club tackle for mixx records. caught in a moment heads straight into tripped out techno territory, all urgent cyclical rhythm and head-teasing fx, but the mood is drastically different on the chord led 909 thumper universal vibe. from now on only good things will happen once again channels the edgy robert hood style to great effect before brothers vibe takes over for a deliciously dusty, meandering remix of universal vibe

coyote deliver a standalone ep for clandestino s second release with the brooding, acidic fight the future and summery live jam engineered garments. fight the future caters for a ride through the club. tweaking 303s and bells weave their way round a dynamic 808 rhythm track while the dubbed out fx and melancholic spacey keys reign in the tension, eventually swelling and breaking over a subtle voice pad.

after a few years spent in quiet reflection during his introduction to the wonders of fatherhood, in relationen emerges as both a refined and mature comeback, as well as a distinct new beginning for the long-time berlin producer. the pensive character, delicate emotional undertones, and careful lines drawn with precise tension across restrained arrangements may sound familiar to fans of his earlier work, but there is now a greater sense of calm, an openness that rewards listeners both on and off the dance-floor. as contemplative as it may be, in relationen still rocks, particularly on the title track, where a frontal psychedelic guitar line gently weeps across a haunting, hypnotic field of rhythm. the krautrock influence runs deep, not in a superficial way but in the depths of the music: atop the rolling, pastoral grooves, the vibe of a bright german mind reorganizing itself to a new framework, re-aligning to a fresh phase of life, finding deeper communion with the world through the discovered balance of inner peace

the holy grail of brazilian music. a wicked afro psychedelic album. a joy to listen to from the beginning to the end! highly recommended! tip! pedro dos santos, born in rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the tamba (electrified bamboo drum) and the mouth berimbau whistle. nicknamed perdo sorongo after the rhythm he invented, that features throughout krishnanda. a highly spiritual man who was regarded as a philosopher by many.

london-based producer, visual artist and nts radio host kit grill has announced a new 5-track ep, titled westway. the ep will be available digitally along with a limited run of 200 vinyl copies designed by alex sullivan, with cover photography by grill and an accompanying video by london director laurie lynch. westway draws on grill�s personal experiences of living in a cityscape and echoes the industrial, fast-paced and repetitive rhythm of his home city, london. the ep was recorded over the course of several months from early 2015 to february of this year, the propulsive beats and driving, shimmering synthwork across tracks like �distance� and �street runner� inspired by and echoing the brutalist beauty of the capital, culminating in the euphoric, widescreen string flourishes of closing track �stairway�.

being heavily championed by the likes of a:rpia:r, cezar, priku and barac, it is now the time to share these precious cuts with everyone. after critically acclaimed debut albums, ada kaleh (dene descris lp) and sepp (timpuriu lp) dive even deeper into rhythm and sound with personal interpretations of an outstanding late night chicago gem from minus & ion, originally released on the models adult central, a close friend and collaborator. crafting pieces of the the original sounds, on the a side ada kaleh delivers an introspective, minimalistic version of the original, while the b side takes us on a darker, ever evolving journey, courtesy of sepp. bucharest based photographer felicia simion masterfully captures the natural and organic soundscapes with a wonderful visual interpretation.

former descent is the free spirited project by the mastermind behind neurobit and rioteer� with this project he blends in a very successful way minimalism and lo-fi electronics with tough rhythms� these rhythm based tracks take its cue from old school ebm and new beat� this while the melodic elements give the tracks just the right touches to draw you deeper into them� harsh and playful and light and dark never went so well together before� resulting in pure rave anthems!
limited 200 copies.

the purpose of dm001 was to create a versatile compilation of tracks with the idea of exploring the limitless boundaries of electronic music. for the labels first release it was fortunate enough to work with an array of talented producers from all over the world. each of which has their own defining sound. dm001 is a non profit release, both vinyl and digital, with the digital release containing more tracks. all profits made from this release will be donated to the international rescue committee in efforts to aid syrian refugees.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

only vinyl. dedicated to my family, my supporters and all the music lovers. the second chapter come again from lapucci (mattia lapucci). this time are delivered to destination jazzy melody mixed to break beat drums construction, swing kick drums coupled to experimental pads and atmospheric spacey sounds, punch dance straight rhythm combined with deep and acid bass line to define another time one complete ep.

new project from massimo vanoni in which his black streak with slow-down & nu-disco-funk features prevails. the tracks have strong groove rhythms, with intense, rather thick and ascent.loops. the contaminations collected by the club consoles seem to merge in the creation of unreleased songs which recall an interesting return to the old beat with dynamic rhythm.

surely to be one of the heaviest 45s dropped in 2016, this 45 is a can�t miss from aj & the jiggawatts! the a-side is heavy, heavy mid-tempo funk while the b-side is uptempo and is exactly what is sounds like...p-a-r-t-y music!! for folks that like the funk flavor of bobby byrd and the poets of rhythm, this 45 will satisfy that itch!

for his first outing on naar, eric duncan presents us with shut it, a full bore techno-disco work out, complimented by an altogether more cosmic yet tribal remix from living legend daniel baldelli, alongside production partner marco dionig. on the b side you will find zona de perigo, which is a compelling mongrel affair showcasing a drug chug rhythm with a new age feel, and melodies that border on the anatolian, before breaking in to a satisfyingly arpeggiated conclusion.